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Modella immersa in acqua per campagna moda Vertigini Studio

VERTIGINI JOURNAL

AI,
FASHION,
ART

The meeting point between Fashion, Contemporary Art, and Artificial Intelligence.


We narrate how creativity, innovation, and critical vision shape the present and imagine the future of communication.

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Vertigini Studio visual identity — creative agency from Milano exploring fashion, arte contemporanea and AI through editorial

The exhibition “Fata Morgana: Memories from the Invisible” at Palazzo Morando has just concluded and stands as one of the most fascinating and significant of 2025. It invites traversal rather than mere visitation. “Fata Morgana: Memories from the Invisible,” at Palazzo Morando, activates an energetic field. It is an atlas of the beyond, a living archive of images that receive, channel, and transmit the world. Art here functions as a sensitive technology, a mode of connection. Conceived and produced by the Fondazione Nicola Trussardi and curated by Massimiliano Gioni, Daniel Birnbaum, and Marta Papini, the exhibition arises from a deep dialogue with its hosting space.

Tavolino di design in marmo verde oliva Vava Objects
Bottega Veneta style luxury AI furniture design product shot - Vertigini Studio

EDITORIALS

“We turn cultural intelligence into

visual desire.”

Shaping Narratives

Vogue inspired colourful AI editorial portrait of a model with floral background - Vertigini Studio

THE NIGHT SIGNS,
0NASTIIA REWRITES

I came across 0nastiia’s work the way one encounters an unmarked path:,,

A journey into the visual world of Cornelia Hediger, where reality and imagination reflect one another.

Video courtesy of BillboardCollective

Directed by Sam Vladimirsky

Video courtesy of BillboardCollective 

Directed by Sam Vladimirsky

Vertigini Studio visual identity — creative agency from Milano exploring fashion, arte contemporanea and AI through editorial

Cornelia Hediger stages a dialogue between identity and perception, between seeing and being seen. Through self-portraits and analog photomontages, the artist explores the female gaze, the relationship with classical painting, and the value of the handmade gesture in an era defined by technology and artificial imagery.

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