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NOW — MILANO JEWELRY WEEK, 20–26 OCT MATISSE. IL MONDO IN UNA STANZA — MUDEC, UNTIL 21 FEB DALÍ E LA MODA — PALAZZO REALE, UNTIL 31 JAN I BRUEGHEL — PALAZZO REALE, UNTIL 31 JAN FORUM RETAIL — MILANO, 11–12 NOV NOW — MILANO JEWELRY WEEK, 20–26 OCT MATISSE. IL MONDO IN UNA STANZA — MUDEC, UNTIL 21 FEB DALÍ E LA MODA — PALAZZO REALE, UNTIL 31 JAN I BRUEGHEL — PALAZZO REALE, UNTIL 31 JAN FORUM RETAIL — MILANO, 11–12 NOV
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On view in Milan
03 EXHIBITIONS
THE INTERVIEW
Nicola Gobbetto
the set as destiny
Between art, scenography and set design, every image becomes a small parallel world. Imagination as refuge, the set as language, beauty as an act of authenticity.
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Dalí e la Moda
Palazzo Reale, Milano
Palazzo Reale, Milano. 24 September 2026 – 31 January 2027
Image created with AI by Vertigini Studio,
inspired by “Dalí and Fashion”
Open at Palazzo Reale in Milan until 31 January 2027, “Dalí and Fashion” gathers more than 200 works and documents, from paintings, drawings and photographs to garments, jewels and films, on loan from the Fundació Gala-Salvador Dalí, the Dalí Museum in St. Petersburg, the Museo Reina Sofía and the archives of Schiaparelli, Chanel, Dior and Rabanne. Its thesis is precise: Dalí went to fashion because fashion already had what he needed, a system for producing images at speed and a surface, the dressed body, that people carry into the street. We saw it at the press preview on 23 September, in the middle of Milano Fashion Week.
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EDITORIALS
“We turn cultural intelligence into
visual desire.”
Shaping Narratives
Matisse. Il mondo in una stanza
Mudec, Milano
Mudec, Milano. 8 October 2026 – 21 February 2027
Curated by Ellen McBreen and Chiara Gatti
Hélène Adant, Henri Matisse, Villa Le Rêve, 1946. Photo: Archives Henri Matisse
What is in an artist’s room before there is a painting? At Mudec, “Matisse. Il mondo in una stanza”, curated by Ellen McBreen and Chiara Gatti, answers with around one hundred works across eight sections. Beside the paintings, the works on paper and the sculptures, it places the objects and textiles Matisse kept around him and called his “working library”. African, Islamic, Russian, Chinese and Pacific art appear here as the forces that shaped his painting from within.